![]() (Image credit: Future / Adobe / Serif) Illustrator has been the industry standard for vector-based graphic design for almost as long as there’s been a graphic design industry. PS, I am not a fan of the way in which Adobe tends to present tools and functions as feature bloat, but there is a huge difference between the frustration a user feels when they can't find a function, and the frustration a user feels when they discover the absence of said function. By Beth Crane published 27 April 2022 Discover the right graphic design software for you with our guide to Affinity Designer vs Illustrator. That and a raster-to-vector trace function would bring Affinity Designer very close in functionality to Adobe Illustrator and Canvas (now "Canvas Draw"?). My hope is that Affinity chooses eventually to integrate a well organized, and intuitively presented, suite of vector effects filters. Try the latest version of Illustrator with a seven-day free trial. But not by far, and less experienced users may not notice the difference. What I was originally looking for, a way to bloat or pinch a graphic (expand or contract its surrounding lines (not the points themselves), is a function offered by Affinity Designer, but it is hidden as a tool, not a filter or effect where anyone with experience in vector editors would naturally look (I was told how to do this two days ago, but it is hidden so well that today I am having no luck finding it). Illustrator wins out in out comparison of Illustrator vs Affinity Designer it’s the oldest and honestly it’s still the best. What few vector effects tools Affinity Designer offers seem randomly presented in odd locations like the tool palette or from menu items. But both AI and Canvas offer a whole suite of vector effects filters that are similar to what you might find in a raster editor like photoshop (add noise, simplify, jitter, wind, bloat, pinch, sphereize, twist, sheer, lens distort, mirror, mosaic, smooth, sharpen, make pattern, 3D, perspective, warp, mesh warp, exaggerate, average, blend, etc.) offered to any object or layer via an effects chooser (studio). ![]() There is also a means within AF of expanding and contracting a vector graphic, a bloat and pinch mechanism. I have been informed here in this forum that people at times make use of composite groups of multiple instances of graphics converted to symbols to in rare situations accomplish something similar to a vector effects filter. Several of your listed items (1,2,3,5,6, etc.), I would group into a single category, namely the lack in AF of a suite of Vector Effects Filters of the sort one sees in AI and in Canvas. Possibility to convert any colour to a spot colour (you must create a new swatch to do that)Įdit: I had to add #11 and #12 since they're major things missing in this comparison. Affinity is often regarded as a more affordable alternative to Adobe’s own line of creative applications while the Affinity Designer V1 vector program is less powerful than Adobe Illustrator. Possiblity to drag multiple colours in colours panel, rearrange them and work with multiple colour swatches at the same time Possibility to see the contents the bleed area in multi-artboard mode (you can setup bleed, work with it, but you don't see its content) Hi my perspective, this is a list of top 10 things that are missing in AD compared to AI:Ībility to export file to PDF "as is" without embedding colour profiles/converting colours
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