Harmonics: Imagine a saturator that behaves like a compressor – that’s Harmonics. The Punch control works to emphasize attack transients in the compressed track, helping it cut through even at very high compression levels. Punch: Heavy compression tends to suck the transients out of a signal. Ratio: Sets the compression intensity from mild to aggressive. Here, you’ll find a number of new features that weren’t included in V1.Īttack + Release: Sets how fast the compressor engages and disengages. But if you need to go deeper, the Tweak Panel gives you full control over the compressor. IHNY-2 is meant to be as fast and intuitive as its predecessor. For a good starting point, we recommend you aim for AGR levels between -10 and -20. This number takes into account the current Gain Reduction and Dry/Wet balance to give you a value for the compression intensity. While moving the node around the XY pad, you'll see a value displayed under the "AGR" abbreviation (Adjusted Gain Reduction). But if you find that the make-up gain is too loud or too quiet you can use the Autogain slider to nudge its behavior. IHNY-2 has an autogain algorithm working under the hood to give you a consistent output as you move the node around the XY pad. This allows you to operate the most important controls of the plugin in just one motion and find the sweet spot fast. You balance the two signals on the vertical axis of the XY pad, while setting the compression amount of the Wet track on the horizontal axis. One remains untouched by the plugin (Dry track), the other is subjected to all the goodness IHNY-2 has to offer (Wet track). IHNY-2 splits the incoming audio into two duplicates.
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